Kelly centres on a single pair of eyes above a racing visor — the sitter identified in careful text as Kelly Piquet, partner of a world champion driver. The gaze is unflinching, the composition magazine-tight. GODS MGMT borrows from editorial photography and advertising vernacular, elevating a single face to icon status. Pole Position: the title frames what we see as a declaration, a position of power, a rank.

GODS MGMT works anonymously, operating between fine art, popular culture and commercial mythology. Each canvas is a site of collision — between what we revere and what we consume, between iconography and irony.